Gospel Artist Dunsin Oyekan Faces Ongoing Copyright Challenges on Digital Platforms

 Nigerian gospel singer and worship leader Dunsin Oyekan, known for hits like “Imole De” and “Fragrance to Fire,” was cited in discussions about the persistent issue of copyright breaches affecting gospel artists on digital platforms. 

While Oyekan has not issued a public complaint in 2025, the 40-year-old minister is among many Nigerian gospel artists grappling with unauthorized use of their music on streaming services, YouTube, and other digital outlets. The problem, which has plagued the industry for years, involves third parties uploading artists’ songs without permission, often monetizing them or distributing them under false credits, depriving creators of rightful earnings.

Oyekan, a Kwara State native who has released over 50 songs and ministered globally, relies heavily on digital platforms to reach his audience. His music, characterized by intense worship and prophetic themes, is widely streamed on Spotify, Apple Music, and Boomplay. However, the lack of robust copyright enforcement in Nigeria has led to frequent violations. For instance, unauthorized channels have been known to upload Oyekan’s live worship sessions, such as those from his Code Red Worship Concert, without licensing agreements. These breaches not only undermine artists’ revenue but also dilute their brand integrity, as low-quality uploads or misattributed tracks confuse fans.

The gospel music industry, valued at millions annually in Nigeria, faces unique challenges due to the spiritual nature of its content, which some exploiters assume is freely shareable. Oyekan, who lost his wife Adedoyin in 2019 and has since raised their two children, has invested significantly in producing high-quality music, often funding projects independently. Industry experts estimate that Nigerian gospel artists lose up to 30% of potential digital revenue to piracy and copyright violations. 

Calls for stricter regulations and partnerships with platforms to flag unauthorized content have grown, with Oyekan and peers like Nathaniel Bassey advocating for better protections. As the issue persists, Oyekan continues to focus on his ministry, with a new album slated for release in late 2025, while navigating the complex landscape of digital music distribution.

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