Wale Adenuga denies claims of neglect by Papa Ajasco

Founder of Wale Adenuga Productions, Wale Adenuga, has responded to allegations of neglect made by veteran actor Abiodun Ayoyinka, dismissing claims of financial hardship and abandonment as “false and misleading.”

Adenuga’s response follows widespread reactions to a recent interview by Ayoyinka, popularly known for portraying Papa Ajasco. In a statement, the producer said he was compelled to address what he described as misinformation circulating in the media.

He characterised Ayoyinka as a talented performer who bears a close resemblance to the original Papa Ajasco character created in 1976, adding that there has been no irreconcilable conflict between them.

Producer cites past support, rejects exploitation claims

Addressing the allegations directly, Adenuga stated that Ayoyinka had benefited from multiple forms of support over the years, including the provision of vehicles. He also noted that the actor had owned several cars and a house in Ogun State, countering narratives of financial neglect.

The producer further explained that while actors in the Papa Ajasco series are free to pursue other acting opportunities, they are not permitted to independently use the Papa Ajasco brand for personal ventures due to copyright protections. According to him, these measures are necessary to preserve the identity and integrity of the long-standing franchise.

Adenuga added that performers on the show are typically engaged for about six weeks annually during production cycles, allowing them time to explore other professional opportunities. He maintained that the organisation pays actors according to industry standards and fulfils its financial obligations as required.

“Any narrative suggesting financial abandonment or exploitation by our organisation is entirely false and misleading,” he said.

Papa Ajasco and Company brand remains active

Reaffirming the relevance of the franchise, Adenuga stated that Papa Ajasco and Company continues to air across multiple platforms, including terrestrial television and YouTube. He emphasised that the production company has maintained a strong reputation and cordial relationships with its artistes over the years.

The response comes amid renewed public attention on the welfare of veteran actors in Nigeria’s entertainment industry, with conversations increasingly focused on compensation structures, intellectual property rights, and long-term support for performers.

While Ayoyinka’s initial claims sparked sympathy and debate online, Adenuga’s rebuttal presents a contrasting perspective, framing the issue as a misunderstanding rather than evidence of systemic neglect.

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